Kortrijk Art

18
Hil­de Van­dae­le Gallery

Nobodys Girl acrylic on canvas 60 x 50 cm 2025

08.February​-15.March.2026

Under Observation

Stefaan Vermuyten

Address: Doornstraat 6, 8500 Kortrijk
Opening Hours: Volgens de tentoonstellingen

About the exhibition

Solo exhi­bi­ti­on with recent pain­tings by Ste­faan Ver­muy­ten

Ope­ning
Sun­day 8 Febru­a­ry 2026
2:006:00 pm
In the pre­sen­ce of the artist

Ope­ning hours
Fri­day – Satur­day – Sunday
2:006:00 pm

Under Obser­va­ti­on is not a con­cep­tu­al exhi­bi­ti­on, but a focu­sed selec­ti­on of recent work. The oeu­vre is charac­te­ri­sed by an emp­ha­sis on heads: not port­raits of iden­ti­fia­ble indi­vi­du­als, but figu­res that come into being through the act of pain­ting. They are wit­hout name or bio­grap­hy and resist fixed or sin­gu­lar inter­pre­ta­ti­on. It is pre­ci­se­ly this inde­ter­min­a­cy that calls for sustai­ned atten­ti­on and vigi­lan­ce on the part of the viewer.

The­se figu­res are deci­ded­ly non-ide­a­li­sed. Their melan­cho­ly and imper­fec­ti­on are not the result of psy­cho­lo­gi­cal nar­ra­ti­on, but ari­se direct­ly from the pain­ter­ly pro­cess itself. Paint func­ti­ons as a deter­mi­ning, gui­ding and dis­rup­ti­ve for­ce. Con­ven­ti­o­nal noti­ons of beau­ty give way to a sen­se of presence.

Ste­faan Ver­muy­ten does not work from a pre­de­ter­mi­ned ima­ge and deli­be­ra­te­ly avoids pre­pa­ra­to­ry stu­dies or pho­to­grap­hic refe­ren­ces. Each work is rea­li­sed enti­re­ly in the moment, sha­ped by chan­ce, risk and con­ti­nuous trans­for­ma­ti­on. Lands­ca­pe and figu­re remain inter­chan­ge­a­ble, and over­pain­ting is inte­gral to the pro­cess. Mea­ning is not the point of depar­tu­re, but an out­co­me. What ulti­ma­te­ly remains is an ima­ge that pro­jects autho­ri­ty and asserts itself une­qui­vo­cally in rela­ti­on to the viewer.

About the location

Langs de Doorn­straat, in een vol­le­dig nieuw inge­rich­te ten­toon­stel­lings­ruim­te, vlak­bij Deja­ge­re-Aerts Col­lec­ti­on en Tex­tu­re muse­um aan de Leie, opent Hil­de Van­dae­le Gal­lery een twee­de loca­tie. Ter­wijl haar eer­ste gale­rie voor heden­daag­se kunst gele­gen is in het kunst­dorp Watou in de West­hoek, kiest ze voor deze nieu­we uit­da­ging de leven­di­ge stad Kort­rijk als twee­de uitvalsbasis.